Showing posts with label Women's Issues. Show all posts
Showing posts with label Women's Issues. Show all posts

Thursday, June 27, 2013

"12th & Delaware"

12th & Delaware, 2010
Dir.: Heidi Ewing, Rachel Grady

I know I'm mainly going to be focusing on the HBO docs this summer, but that doesn't mean that's all I'm going to be watching. This particular documentary's tenure is about to expire on HBOGO and I wanted to catch it before I wouldn't get a chance to see it anymore and I am so glad I did. 

One of my favorite styles of documentary is called cinema verite, which translates to "truthful cinema". It allows the filmmaker to remain strictly observational, and the finished product is one that is no frills, no muss, no fuss. No music, no narration, no prompting questions. They are very much a "fly on the wall". This was the style that Ewing and Grady used for their eye-opening, heart-wrenching documentary about a woman's right to choose in 12th & Delaware

Now, I want to preface this entry by saying that I am pro-choice, and I will leave it at that. The documentary I am about to recount will make it clear where I stand. 

The documentary begins with two teenage girls being interviewed, separately, by a woman named Anne. The first girl is Widline, age fifteen. She is ten weeks pregnant and not ready, financially or emotionally for a baby. Then there is nineteen year old Brittney, who is seven weeks pregnant, and has already aborted one pregnancy before. Anne is the matronly sort, in her late forties maybe. During each interview, Anne occasionally scurries out of the room and whispers things to a woman in an examination type room. Things like, "She's abortion-minded" and "Let's get her in for an ultrasound, and see if we can get a heartbeat."

Anne shows the girls plastic models of what their babies look like at ten and seven weeks' development. The model for the seven-week fetus is about the size of a double-A battery. The ten-week one, about the size of an iPhone. Just by seeing this, I am immediately uneasy. Then it quickly becomes clear: these girls had mistakenly walked into a pro-life clinic. 

In 1991, an abortion clinic opened up on the corner of 12th and Delaware in Fort Pierce, Florida. In 1999, a pro-life organization opened up directly across the street. Often, girls enter the "Pregnancy Care Clinic" thinking they are getting help with their unwanted pregnancies. Instead, they get pressured and strong-armed and talked out of having an abortion. The clinic workers use scare tactics and lies to manipulate the girls and women who think they are getting help. They stock their waiting rooms with pamphlets that give completely false descriptions of an abortion procedure, and claim abortions give you breast cancer. 

Now, back to what made me uneasy about what Anne said about the size of a seven- and ten-week old fetus. According to thebump.com, at seven weeks, a fetus is the size of an apple seed (approximately .13" long). At ten weeks, it is the size of a prune (approximately 1.2" long). Knowing these girls were shown completely false representations about the size of their fetuses makes me absolutely sick to my stomach. 

Across the street, the abortion clinic is run by a husband and wife, Candace and Arnold. Arnold picks up and drops off the doctors who actually performs the abortions at a separate location every day, to protect them and their families. Arnold covers the doctors with a sheet when they are on the road, so no one can see their faces or recognize them, and he insists that the doctors carry guns and wear bulletproof vests.

"This is their paycheck," Anne says of Candace and Arnold. "It's like when you walk into a car dealership, they want to sell you a car. When you walk into an abortion clinic, they want to sell you an abortion."

Every single day, protesters arrive as early as five in the morning to set up shop in front of the abortion clinic. An elderly woman is usually the first to arrive. She carries a sign that says "Thou Shalt Not Kill" and shouts at the women who walk into the abortion clinic, calling them murderers and tells them they should be ashamed and that God will save them. She is joined by others, who carry even more graphic signs depicting babies with their limbs torn apart and spouting hell fire. They often go ignored, but it's terrifying to hear and see. When women and girls come in for their procedure, the clinic workers have to warn them ahead of time that there will be protesters outside.   

Inside the abortion clinic, Candace and Arnold make sure video cameras are on the protesters at all times. Candace talks about how disgusted she is by the. She often jokes about how she wants to go over to the pro-life clinic and stage her own protest. "But we don't have the time! We're too busy...we're not obsessed with them!"

Back at the pro-life clinic, Anne is sitting with Victoria, a 24 year old woman with two children already and pregnant a third time. Their exchange is one of the most intense parts of the film. 

Victoria tells Anne that her boyfriend is verbally abusive, and is not the best father. Anne asks her how she knows the baby won't change him (here I slap my palm to my forehead so hard I black out for a second). Anne tells her she will regret her decision to abort. Victoria says no, "abortions are for getting rid of unwanted pregnancies. This pregnancy is not wanted. The only thing I regret is having sex without a condom." Anne smiles and says that condoms are only effective 85% of the time. Victoria disagrees, and tells Anne that she's never gotten pregnant when she's had sex without a condom. Their argument becomes heated and Victoria excuses herself to make a phone call. 

"This fucking bitch is getting on my nerves," she says over the phone. "If I have this baby, she's not gonna take care of it." Victoria then leaves the clinic, and drives off. Smart girl. 

Back at the abortion clinic, we view a few of the interviews that Candace has with potential patients. Her voice is warm, she smiles a lot, and asks a lot of questions. All the women she interviews have their faces hidden. The first woman Candace interviews explains that she is 47 years old and was recently diagnosed with rheumatoid arthritis. "When this baby is twenty, I'll be sixty-seven," she says to Candace. "That thought is why I am doing this." 

Another woman, who barely speaks above a whisper, tells Candace that her husband is violent and pressures her into having sex without protection. She says she does not want to do this. Candace is very patient and asks why she is here. "Because I have to," is her answer. "I feel like a monster." 

"You're not a monster," Candace assures her. "The only way you would be a monster would be if you had this baby and then mistreated it." 

One of the worst parts of the documentary is when a young girl - whose face is hidden - tells Candace that she'd gone across the street by accident. They gave her a pregnancy test and told her she was seven weeks pregnant. Candace asks the girl when the start of her last menstrual cycle was, and then pulls out a chart when the girl gives her a date. According to Candace's chart, the girl is actually more than ten weeks pregnant.

"They lied to her," Candace says later. She explains that the pro-life clinic will tell girls they are not as far as they actually are, so they think they have enough time to think it over. By the time the girls decide to go through with an abortion, it's too late and they're too far along.

The reason this documentary infuriates me so much is that this is even an issue. It's 2013 and there is still a debate over a woman's right to choose. Why are women still getting shit over what they do to their bodies? You don't like abortion? Don't get one. Just like how if you don't like tattoos, don't get one - you don't have a right to not get a tattoo. No matter what happens, people are always going to protest, just like how currently people are tearing their hair out about DOMA being shot down. What I don't like is how people choose to verbally attack these women and then use religion as their shield. Religion is a great thing, I have religion. It's okay to not have religion. But don't use it as an excuse for your ignorance.

I can't say I enjoyed 12th & Delaware, just like you can't enjoy a root canal or paying bills. But it was a very interesting documentary about how two sides of the same old debate are never going to see eye-to-eye.

Tuesday, June 11, 2013

"Pussy Riot: A Punk Prayer"

Pussy Riot: A Punk Prayer, 2013
Dir.: Mike Lerner, Maxim Pozdorovkin
Prod.: Maxyne Franklin, Nick Fraser, Xenia Grubstein, Martin Herring, Mike Lerner, Havana Marking, Maxim Pozdorovkin, Nick Quested, Kate Townsend

It's here, it's here, it's HERE! The summer documentary series on HBO has arrived! I never knew how much I wanted this until it actually happened! 

It started last night, but I got home late last night and I stayed up way too late watching the doc and by the time I finished, I was way too tired to blog. Especially because this particular doc is mainly in Russian, meaning subtitles, meaning every time I looked down for a second to jot down some notes, I missed something, so there was a lot of rewinding involved. Luckily, my husband kept his word and watched with me, and helpfully read the subtitles when he noticed my head was down. 

HBO really chose a strong leader for the first doc of the summer season with "Pussy Riot: A Punk Prayer".

You probably have heard of Pussy Riot without even realizing it, especially if you were an avid news watcher early in 2012. They made CNN and world news headlines. 

A group of Russian women of varying ages, outraged by the re-election of Vladimir Putin in 2011, stage visually stunning, guerrilla-style protests, hiding their identities with brightly colored clothing and covering their faces with balaclavas (ski masks), looking like Luchador Barbie.

Accessories include: ATTITUDE!
They scream feminist, anti-government lyrics set to driving punk music, throw confetti and shoot off colored smoke bombs. They are Pussy Riot - they are strong, outspoken women, and they are angry.

In February of 2012, members of Pussy Riot decide to stage a performance at the Cathedral of Christ the Savior in Moscow...on the altar...during a service. Yeah. These girls have BALLS. 

Naturally, security is called and three of the members of Pussy Riot are arrested on moral charges.

The documentary actually begins with video footage of the arrest, followed by interrogations of the three women who were arrested: three good looking, well spoken women in their early-to-mid-twenties. They are introduced as Nadia, Katia and Masha.

otherwise known as the hottest bitches in cell block go-fuck-yourself
In one interview with the police, Nadia is asked, "Why do you fight the Russian Orthodox Church?" 

"Did you see where the Easter services were held? The cathedral symbolizes the union of church and state," she replies. "That's not how it should be...the Patriarch stands at the altar. But a woman should occupy it. As a member of Pussy Riot, I believe that women should be allowed to run services and that women should stand at the altar. Because she is not a sinful creature." 

The rest of the documentary follows the trial and persecution of the three Pussy Riot members. Cameras, recorders, reporters, journalists, media of all kinds are allowed access to the courtroom. Not one camera is shooed away, no journalist are asked to turn of their recording devices. 

As Nadia is led, handcuffed, into a courtroom, she has nothing but smiles for the overwhelming amount of reporters that show up. She chats with them, flirts with them, states that Pussy Riot is a group that Russia needs. Her husband Peter shouts, "You look good, Nadia!" 

"I always look good," is her coquettish reply. 

Katia receives a welcome from her family, who ask her if prison has a library. She replies yes, but the books are old and that new books take a long time to arrive. Her father assures her that they would send her new ones but “You’ll be out before they reach you.”

As for Masha, she is asked by a reporter if her son was going to be taken away. Masha replies, “No...When the investigator presented the charges, he asked me a question: is your child being cared for? And if he needs to call social services. I almost had a nervous breakdown. I don’t want to hear a word about social services. And if this horrific theater affects my child in any way, that will be the worst that could happen.”

Pussy Riot’s lawyer, Violetta, is a ball-buster. She’s tough and fights hard for her clients. She disagrees with the court’s decision to keep the girls in jail instead of releasing them on bail, insisting that this is just going to fuel protest fires, rather than smother them.

“Punk has never existed in Russia, and neither has performance art. Nobody understands it,” explains another Pussy Riot lawyer.

Meanwhile, members of The Russian Orthodox "carriers of the cross" refer to Nadia as a “demon” and the other girls as “witches”, and discuss how in the 16th century, the girls would have been hanged or burned. They hold their own protests outside the courtroom as the trial commences, singing hymns and carrying pictures of religious icons. 

As the Pussy Riot trial gains momentum, supporters from all over the world – America to Amsterdam to Ireland – are posting YouTube videos and making statements, calling for “Free Pussy Riot”. Madonna and Yoko Ono make public announcements in their support of the imprisoned women. Madonna even performs, in Moscow, with “Pussy Riot” written on her back, and wearing a balaclava.

CHECK!

THIS!

SHIT!

OUT!!!!!
I think the one thing you must keep in mind while you are watching this film is, Did these women really do anything wrong? 

What I mean by this is, did they deserve to be jailed for their "crimes"? In America, they would have a right to protest. In a draconian Russian court system, minor offenses are deemed jail-worthy. Do they really "deserve" to be imprisoned for protesting at a church? While the documentary itself gives the viewer its opinion, it's done in a way that it's really left up to the viewer themselves to decide for sure, which I think makes this a wonderful doc to watch with a group, especially if you're the lively debate type of group. 

Next week: "Love, Marilyn" - a look into the very private life of one of Hollywood's most beloved stars. 

“Art is not a mirror to reflect the world, but a hammer with which to shape it” – Bertolt Brecht

Want to join the movement to Free Pussy Riot? Visit http://freepussyriot.org/about

Thursday, May 2, 2013

"Prostitution: Behind the Veil"

Prostitution: Behind the Veil, 2004

Dir.: Nahid Persson
Prod.: Jakob Hogel, Nahid Persson

OK I know it's been a long time - almost a year - since I last posted. I promised I would come back and to be more devoted, then I made one post and poof! There I go again. Frankly, I am ashamed I couldn't make the commitment. But, to be fair, at the same time I was aiming to come back, I was planning my wedding. Yup! I got married in September! Go us! It wasn't easy but we had a lot of help from friends and family and we had a great day. 

Anyway, I really, really want to get back into this project of documenting documentaries (har-dee-har-har). I really do love the genre and there's just so many, on so many different subjects! Last time I tackled a pretty lighthearted subject with God Is the Bigger Elvis. This time, I have a bit of a darker subject to tackle: the state of women in Iran. 

Filmmaker Nahid Persson was born in Iran, however she escaped to Sweden in 1982 when Islamic fundamentalists took control. Seventeen years later, she returned, shocked to discover poverty was rampant and social justice had deteriorated. 

Iran used to be one of the most liberal Muslim countries. Now, however, the Koran is considered law, and religious infractions are considered crimes, punishable by imprisonment, torture and execution. 

In Prostitution: Behind the Veil, Persson chronicles the struggles of two women she meets quite by accident during a visit to Iran. The film is narrated by Nahid Persson herself. She first meets Habib, a man who works as a fortune teller using parakeets. Yes, parakeets. Apparently this is a really common thing! The guy sets a parakeet down and the bird picks a fortune out for you and you pay for it. I kid you not! 


This is not a screenshot from the documentary but it's the closest thing I could find. 

Anyway, Habib is run off the street corner he is fortune-telling on by the religious police and Persson and her crew end up following him home. Habib lives in a tenement building with ten other people with no running water or toilets, just a water pump in the courtyard. While there, Persson meets Fariba and Mina, two young women in their early-to-mid 20s, with a child each, who make their living through prostitution. 

They live in tiny rooms with barely any furniture and rags covering the windows. There are no locks on their doors. They have no beds but instead sleep on the floor with their children. They casually chat as Persson films and Mina threads Fariba's eyebrows, which are as thick and unruly as Frida Khalo's. 

They talk about sex and what they do to make a living, but also about the guilt and shame they feel. They talk about their methods of birth control - condoms are preferred, because they protect them against diseases (they are both fond of flavored condoms). Persson explains that when Islamic power rose in Iran, they banned all contraceptives. Because of this, the population doubled within a short period of time. By the time the government realized their mistake and lifted the ban on contraceptives, it was too late and overpopulation was already a growing concern. Fariba also tells Persson that the religious police tend to look the other way when it comes to prostitution, and confesses that she herself has slept with the chief of the religious police, and he paid her $20. "He was rough," she adds."I didn't like it."

Later, as the girls smoke heroin together, Fariba pulls out a photo album and says she wants to "show that we didn't always live like this." 

Fariba was married to a young man from a respected, wealthy family. Her brother-in-law was a medical student. Her father-in-law was a literary professor. Less than a year before this interview, Fariba's husband was arrested for drug use, and sentenced to life in prison. Mina's story is shockingly similar. Her husband is also in jail, serving a 35-year sentence for smuggling, selling drugs and murder. He was the one who was responsible for getting Mina addicted to heroin. 

In the film, Persson introduces us to the concept of a sighe. It is something that is perfectly legal in Islamic Iran. It is when a man takes on an "extra" wife that he can later sell to another man for a profit. During the time of the sighe marriage, which is negotiated with a verbal contract and then sealed by a mullah (Islamic clergy), the woman must act as a wife must - she must cover her head, ask her husband for permission to leave the house, and service him in bed. Sighe marriages can last any period of time, from ten minutes to 99 years, and the woman is often paid a fee for her participation. 

Habib, the parakeet fortune teller who is a man of about sixty, makes a sighe marriage of six months with a 17 year old girl that he'd only known for about ten minutes. Persson narrates that girls in Iran are married off as young as nine years old. It turns out that Mina has a sighe that she has a two-month contract with. She shows Fariba the marks on her body where he has cut, kicked and scratched her, and cries as she confesses he hits her 20-month-old daughter as well. 

One thing that I wished Persson covered more in the documentary was how Mina and Fariba solicit their customers. I know that sounds like an odd thing to say, but for a documentary called Prostitution: Behind the Veil, she does not focus very much on the actual profession of prostitution. She follows Mina and Fariba only one time each. Heartbreakingly enough, they are forced to bring their children with them as they solicit, since there is no one else to watch them. Fariba makes $5 off a cabbie, who forces her to buy condoms from a nearby pharmacy because "it isn't right" for him to do it himself. He allows Persson to film him as he drives and haggles over price with Fariba, telling her that he wants people to see that Iran has gone to hell. Mina picks up two young men in a car who pay her $10 each. They drive her and her baby to their apartment. She hands the baby off to one of the men as she goes into the bedroom with the other. "When he's done, you can come in," she says, flicking her head scarf over her shoulder. 

Persson reflects more on the concept of sighe marriages and the religious power oppressing the women of Iran more than the actual act of prostitution and how so many women fall into that trap. She mentions how grateful she is that she can return to Sweden where she has opportunities, and women in Iran cannot and do not. 

There was really no moral or message to this documentary. Persson does include an epilogue about Fariba and Mina, but the information is sparse. I wish she had gotten more interviews with more prostitutes. She does manage to talk to Fariba's sister-in-law and mother, but no one from Mina's family. I would have liked a little more background on the girls. 

Though I was intrigued and saddened by the information I learned in the documentary, I really wish it had a little more meat on its bones. It did make me grateful that I have grown up in a country where I am not considered property, and where I can get an education and vote and make my own choices. Persson made it very clear that she was glad she left when she did. But I feel like the film lacked something, and it was probably more stories, but I thank Nahid Persson for making this film and showing us what is going on in other parts of the world that we have no idea about.